By Steve Marck Good storytelling is intoxicatingly involved with conviction. Allegories that depend on the belief in the unbelievable (love, rumours, death, magic) will inevitably weigh heavily on the voice of the author if the audience is going to accept what’s being offered to them. Fortunately, Wax Mannequin’s inventions are boundlessly enthralling—No Safe Home is planted on the passive persuasion of its own… Continue reading
